Materiality & Method: A Small Works Fiber Show

Please join us on Sunday, September 8th from 4 - 6 pm for the opening reception of Materiality & Method a small works fiber show organized by Textile Arts Los Angeles in conjunction with Textile Month in September 2019. The exhibition will be on view at Daniella Carter’s architectural studio Pretty Smart in Long Beach, CA, through Saturday, October 5th, 2019.

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Fiber is a fluid medium that allows artists to approach their work in many ways. This exhibition focuses on the intersection of process and material, and how every artist addresses these ideas in their work. Featuring artists’ work that uses innovative methods that manipulate, re-imagine and transcend our understanding of material.

Renae is pleased to be showing a wall sculpture entitled “The Noise Got Too Loud” made with cheesecloth, sodium chloride, dead sea salts, cardboard, and resin alongside a group of featured textile artists: Peggy Weidemann, Carlyn Clark, Sandy Abrams, Eva Rabin, Susan Maddux, Michael Rohde, Gwen Samuels, Polly Giacchina, Penny Collins, Joanna Stott, Lydia Tjioe Hall, Elise Vazelakis, Anne M Bray, Tamara Tolkin, Anna Zinsmeister, Dellis Frank, Barbara Klare, Claudia Zhao, Jamia Weir, and Brittany Wittman McLaughlin.

The Noise Got Too Loud. 10”W x 9”L x 3.5”D. Cheesecloth, sodium chloride, dead sea salts, cardboard, resin (2019).

The Noise Got Too Loud. 10”W x 9”L x 3.5”D. Cheesecloth, sodium chloride, dead sea salts, cardboard, resin (2019).

For more information about Textile Arts Los Angeles please visit www.textileartsla.org

Open Studio Showcase Review

Open Studio Showcase Review

Fine artist Renae Barnard opened the doors to her private studio location in Los Angeles for an exclusive showcase Sunday, May 27th. Invitees were the first to preview recently completed works by the artist.

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Working through a variety of mediums, Barnard's studio is thoughtfully curated with paintings, sculptures, and installations. Her latest work includes paintings and sculptures made with salt. This mineral inclusion creates natural formations and crystalline surface qualities when combined with paint.

Throughout the event, Barnard generously shares insights into her artistic process and material explorations with guests.

Her multi-media works incorporate recycled materials from the furniture manufacturing industry to create sculptural foundations for painting. The organic formations and layered textures reference natural earthen elements and minerals. A gem-like color palette of low-VOC paints was specially provided by Dunn-Edwards in support of this eco-conscious project.

The artist displays her collection of gemstones; a personal vignette of inspiration for these new works.

"Many of my sculptures are worked within inches of collapse and reflect my attraction to the imperfect and aged" says Barnard. This is a recurring theme seen throughout the artist's body of work. Her latest sculptures also experiment with paint and salt, and are displayed in crumbling volcanic formations. The fractured surfaces reveal saturated colors and tectonic layering.

Illuminated installations by Renae Barnard add ambiance to the intimate studio space. Made from recycled plastic sheeting, the artist knots and drapes the materials into cloud-like sculptures. The lightweight material floats above guests heads with a soft glow.

The event was well attended by private collectors, local journalists and close colleagues of the artist. A quick walk-through of the studio showcase featured artworks at every turn. The diversity of media and artistic process reveal Barnard's pleasure of the hand-made.

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Mauveine State a paper sculpture on display by the artist was meticulously dip dyed by hand to reveal the delicacy of each layer. Barnard often pushes the limits of materials in her own works to reveal their delicacy and transience. Her intrinsic approach delights in the tactility and decadence of making in a way that viewer's are immediately drawn to.

Barnard has a Master of Fine Arts degree from Claremont Graduate University and is a recipient of the Sue Arlen Walker and Harvey M. Parker Memorial Fellowship, the Armory Center for the Arts Teaching Artist Fellowship, the Ahmanson Annual Fellowship, the Lincoln Fellowship Award and the Christopher Street West Art & Culture Grant.

Barnard has created site specific, socially engaged works and exhibited at local and international galleries/film festivals including Shoshana Wayne Gallery, Los Angeles Municipal Art Gallery, Rutgers University, Towson University, Drake University, Harriet & Charles Luckman Gallery, SOMArts Gallery, Pete & Susan Barrett Gallery, LGBT Film Festival Boston, Long Beach LGBTQ Film Festival, Tampa International LGBTQ Film Festival, and the Bergamot Station Arts Center in Santa Monica among others. To learn more about Renae Barnard, please visit:

www.renaebarnard.com

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