Materiality & Method: A Small Works Fiber Show

Please join us on Sunday, September 8th from 4 - 6 pm for the opening reception of Materiality & Method a small works fiber show organized by Textile Arts Los Angeles in conjunction with Textile Month in September 2019. The exhibition will be on view at Daniella Carter’s architectural studio Pretty Smart in Long Beach, CA, through Saturday, October 5th, 2019.

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Fiber is a fluid medium that allows artists to approach their work in many ways. This exhibition focuses on the intersection of process and material, and how every artist addresses these ideas in their work. Featuring artists’ work that uses innovative methods that manipulate, re-imagine and transcend our understanding of material.

Renae is pleased to be showing a wall sculpture entitled “The Noise Got Too Loud” made with cheesecloth, sodium chloride, dead sea salts, cardboard, and resin alongside a group of featured textile artists: Peggy Weidemann, Carlyn Clark, Sandy Abrams, Eva Rabin, Susan Maddux, Michael Rohde, Gwen Samuels, Polly Giacchina, Penny Collins, Joanna Stott, Lydia Tjioe Hall, Elise Vazelakis, Anne M Bray, Tamara Tolkin, Anna Zinsmeister, Dellis Frank, Barbara Klare, Claudia Zhao, Jamia Weir, and Brittany Wittman McLaughlin.

The Noise Got Too Loud. 10”W x 9”L x 3.5”D. Cheesecloth, sodium chloride, dead sea salts, cardboard, resin (2019).

The Noise Got Too Loud. 10”W x 9”L x 3.5”D. Cheesecloth, sodium chloride, dead sea salts, cardboard, resin (2019).

For more information about Textile Arts Los Angeles please visit www.textileartsla.org

Open Studio Showcase Review

Open Studio Showcase Review

Fine artist Renae Barnard opened the doors to her private studio location in Los Angeles for an exclusive showcase Sunday, May 27th. Invitees were the first to preview recently completed works by the artist.

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Working through a variety of mediums, Barnard's studio is thoughtfully curated with paintings, sculptures, and installations. Her latest work includes paintings and sculptures made with salt. This mineral inclusion creates natural formations and crystalline surface qualities when combined with paint.

Throughout the event, Barnard generously shares insights into her artistic process and material explorations with guests.

Her multi-media works incorporate recycled materials from the furniture manufacturing industry to create sculptural foundations for painting. The organic formations and layered textures reference natural earthen elements and minerals. A gem-like color palette of low-VOC paints was specially provided by Dunn-Edwards in support of this eco-conscious project.

The artist displays her collection of gemstones; a personal vignette of inspiration for these new works.

"Many of my sculptures are worked within inches of collapse and reflect my attraction to the imperfect and aged" says Barnard. This is a recurring theme seen throughout the artist's body of work. Her latest sculptures also experiment with paint and salt, and are displayed in crumbling volcanic formations. The fractured surfaces reveal saturated colors and tectonic layering.

Illuminated installations by Renae Barnard add ambiance to the intimate studio space. Made from recycled plastic sheeting, the artist knots and drapes the materials into cloud-like sculptures. The lightweight material floats above guests heads with a soft glow.

The event was well attended by private collectors, local journalists and close colleagues of the artist. A quick walk-through of the studio showcase featured artworks at every turn. The diversity of media and artistic process reveal Barnard's pleasure of the hand-made.

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Mauveine State a paper sculpture on display by the artist was meticulously dip dyed by hand to reveal the delicacy of each layer. Barnard often pushes the limits of materials in her own works to reveal their delicacy and transience. Her intrinsic approach delights in the tactility and decadence of making in a way that viewer's are immediately drawn to.

Barnard has a Master of Fine Arts degree from Claremont Graduate University and is a recipient of the Sue Arlen Walker and Harvey M. Parker Memorial Fellowship, the Armory Center for the Arts Teaching Artist Fellowship, the Ahmanson Annual Fellowship, the Lincoln Fellowship Award and the Christopher Street West Art & Culture Grant.

Barnard has created site specific, socially engaged works and exhibited at local and international galleries/film festivals including Shoshana Wayne Gallery, Los Angeles Municipal Art Gallery, Rutgers University, Towson University, Drake University, Harriet & Charles Luckman Gallery, SOMArts Gallery, Pete & Susan Barrett Gallery, LGBT Film Festival Boston, Long Beach LGBTQ Film Festival, Tampa International LGBTQ Film Festival, and the Bergamot Station Arts Center in Santa Monica among others. To learn more about Renae Barnard, please visit:

www.renaebarnard.com

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The Woven Tale Press Vol. VI #4

The Woven Tale Press magazine featured artwork by Renae Barnard in their recent issue.

You can view the full issue online at:  

http://online.flipbuilder.

com/eovs/uske/

Print copies are also available for purchase from: 

http://www.magcloud.com/

browse/issue/1423039

The Woven Tale Press

exhibits monthly the literary, artful, and innovative. The WTP mission is to grow the online presence of noteworthy writers, photographers, and artists, both emerging and established.

In our online magazine, published ten times a year, we credit our contributors with interactive urls back to their websites. By growing this Web presence, WTP also aspires to garner the interest of collectors, galleries, and literary agents who may turn to its pages seeking new talents. Our monthly magazine has featured multiple Pushcart Prize nominees, poet laureates, and internationally acclaimed artists.

While our magazine showcases talents across the Web, features on WTPCentral offer behind-­the­-scene peeks into the creative process with interviews, reviews of indie books, gallery exhibitions, and noteworthy websites, and now gallery profiles.

https://www.thewoventalepress.net

The Woven Tale Press Art Spotlight: Renae Barnard




Art Spotlight: Renae Barnard

Cleanse

See Renae Barnard’s work in WTP Vol. VI #4


Cleanse by Renae Barnard

paper and thread
9” x 13” x 6”
Renae Barnard is interested in exploring the network of interactions between perception, time, and the inadequacy of language. Much of her work grapples with what progress means, including changes in our environment, as well as changes in equality for women, LGBTQ people, and people of color. Barnard tries to propagate her own visions of “progress” by enabling others to connect and contribute to a collective commitment of kindness and compassion.

To see more of Renae Barnard's work visit: www.renaebarnard.com

"Material World" Renae Barnard featured in Selvedge



Material World


Guest post by Abby Sin
At times language cannot adequately express the intricacies of our thoughts and desires. Artist Renae Barnard explore the poetics of materiality through handmade objects and ephemeral installations. Working with a range of fabrics and reclaimed materials such as blankets, jute and hemp rope, medical bed paper, rags, ribbon and lace scrap, Barnard’s compositions make a connection between materiality, perception, and time.
Indulging in the pleasure and tactility of making, these folded, twisted, and sewn objects are both destroyed by and reinforced with the repetitive gestures by which they are made. 'Many of my sculptures are worked within inches of collapse and reflect my attraction to the imperfect and the aged' says Barnard. The time consuming and ritualistic processes of braiding, weaving, stitching and hand-dying textiles highlights the delicacy and transience of the material. 'Why are attributes like softness and delicacy deemed “feminine”? And why are such qualities considered indicators of weakness?' These are just a few of the questions surrounding Barnard’s artwork.
Creating a material language to explore these nuanced precepts, Barnard combines her hand-made craft technique with elements of playful divergence and social commentary. 'I allow myself the sensitivity to make work that reveals both wounds and strengths, wrangling material out of an emotional response to feelings of tension. And so, my reason for making art is so that they might speak in my place, referencing issues that are uncomfortable and difficult to express in words.'


Issue 78 Substance

Selvedge is a magazine that acknowledges the significance of textiles as a part of everyone’s story.  We are surrounded by cloth from the cradle to the grave and by exploring our universal emotional connection to fibre we share the stories and values that mean the most to us. 
Featuring exhibitions, people, adventures and opinion, the blog is a meeting point for the Selvedge community and an entry point into the world of textiles for those looking for an original and broadening perspective.
Selvedge Magazine, 14 Milton Park Highgate London N6 5QA United Kingdom

“Propagate Progress” by Artist Renae Barnard – Final Installation of Bergamot Station’s NEA Our Town Project

  
The City of Santa Monica with support from the NEA Our Town program, will debut a temporary artwork installation by local artist Renae Barnard at Bergamot Station on December 15th, 2016. The artwork is located within People’s Park at Bergamot Station Arts Center, and will be on view daily until January 15th, 2017. People’s Park will not be accessible to the public for the duration of the installation, though the artwork remains visible and activates the park space. This project is the last of a series of six temporary projects funded by the National Endowment for the Arts and the City of Santa Monica as part of the City’s Our Town program grant received in 2013.

Propagate Progress is a participatory community-building event that culminated with this sculptural installation. Barnard states that “the project explores and memorializes our community’s diverse visions for society's future progress.” According to Barnard, much of her work grapples with what progress means, including changes in our environment, as well as changes in equality for women, LGBTQs and people of color. This paper sculpture is not intended as a permanent monument.  Rather, it is a “progressive” and, therefore, ephemeral gesture of community and will deteriorate with time and weather.  In the same way “progress” today becomes history tomorrow, this sculpture is about transformation and change.

The NEA Our Town grant, which the City received in 2013, supports temporary public art interventions in and around the Bergamot Station Arts Center in celebration of the arrival of the Expo Line – a new, multimodal transit hub. Previous activities for the program included Amir H. Fallah’s Perfect Strangers Art and Performance Festival and Kate Johnson’s Everywhere in Between, an all-encompassing installation of video and light projections with live dance and music. Both projects were curated by 18th Street Arts Center. Two additional components of the Our Town program were Ed Moses, an installation by John Cerney, P2S, a projection piece by local artist Alia Malley, and most recently Because It Has A Peel, a sculptural installation by Joy Taylor.

Renae Barnard is a multidisciplinary artist living and working in Los Angeles. Barnard’s work has been shown at Harriet & Charles Luckman Gallery, Annenberg Community Beach House Gallery, Berkeley Art Center, SOMArts Gallery, Pete & Susan Barrett Gallery, Grace Albrecht Gallery, Los Angeles Municipal Gallery, Peggy Phelps Gallery as well as screened at U.S. and international film festivals. Barnard has been the recipient of many awards including but not limited to Outstanding Experimental Film, Sue Arlen Walker and Harvey M. Parker Memorial Fellowship, Armory Center for the Arts Teaching Artist Fellowship, Ahmanson Annual Fellowship, Christopher Street West Art & Culture Grant, Lincoln Fellowship Award and the Pasadena Arts Council Fiscal Sponsorship.  Barnard has spoken about her work at the Open Engagement Conference at the Queens Museum, NY, The Long Beach LGTBQ Film Festival, Shoshana Wayne Gallery and Los Angeles Municipal Gallery.

ABOUT THE CULTURAL AFFAIRS DIVISION
The Santa Monica Cultural Affairs Division brings the City’s art scene to life for residents and visitors each year by supporting engaging and accessible cultural events for all ages throughout the year. Cultural Affairs nurtures local arts organizations, promotes artist involvement in the community, manages the landmark Santa Monica Civic Auditorium and presents and produces innovative programs citywide at the Annenberg Community Beach House, the historic Miles Playhouse, 1450 Ocean and in the city’s parks, enriching Santa Monica’s reputation as an international cultural destination. For more info visit smgov.net/arts.
Image Captions
Renae Barnard
Propagate Progress at Bergamot Station, 2016. Photo courtesy of Abby Sin.
           
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Laura Elizabeth Becker | Cultural Affairs Supervisor | Cultural Affairs Division
City of Santa Monica | 310.458.2220 x5622




Defend & Advance: A Special Exhibition for the National Immigration Law Center


For Immediate Release: 04.22.16

Contact: Renae Barnard, Curator

310.823.7331  renaebarnard@gmail.com    www.renaebarnard.com

 

Defend & Advance: A Special Exhibition for the National Immigration Law Center

Dates:  April 1, 2016- March 31st 2017

Opening Reception: Thursday May 26 2016 6-9pm (Free Admission)

Location: NILC 3435 Wilshire Blvd 16th Floor Los Angeles CA 90010

 
Defend & Advance is a temporary exhibit of 39 original artworks by 17 artists that celebrates the establishment of the National Immigration Law Center’s permanent art collection. With broadly varied approaches and narratives, the artists in this exhibition explore current conditions of immigration and migration, displacement and labor, and struggle against collective amnesia. The artists are from a diverse range of geographic, political and social backgrounds. Considering their work in dialogue allows us not only to reflect on their differences but also to consider their shared concerns. The exhibit offers new perspectives on issues we may have previously thought familiar. The curation seeks to discover shared experiences that can be explored in conversation and used to promote intellectual and emotional engagement with the subjects being presented.
 
 

 

Artists: Anna Stump, Arturo Cambron, Cintia Segovia, Diane Williams, Dohnbi Kim & Oshri Hakak, Hyunji Lee, Joseph Muchina Mwangi, Jose Ramirez, Kuniko Ruch, Lori Dorn, Mahsan Ghazianzad, Michael Fischerkeller, Miggie Wong, Mona Nicole Sfeir, Narsiso C. Martinez, Paige Emery, Xilomen Rios.

 


Established in 1979, the National Immigration Law Center (NILC) is one of the leading organizations in the U.S. exclusively dedicated to defending and advancing the rights of low-income immigrants.

NILC believes that all people who live in the U.S.—regardless of their race, gender, immigration and/or economic status—should have the opportunity to achieve their full potential. Over the years NILC has been at the forefront of many of the country’s greatest challenges when it comes to immigration issues, and plays a major leadership role in addressing the real-life impact of polices that affect the ability of low-income immigrants to prosper and thrive.

 


Renae Barnard is a multidisciplinary artist and curator.  She holds a Master of Fine Arts degree from Claremont Graduate University. Barnard’s work has been shown at Shoshana Wayne Gallery, Harriet & Charles Luckman Gallery, Berkeley Art Center, Los Angeles Municipal Gallery and SOMArts Gallery. Recent curatorial projects include From Her, El Pueblo de Los Angeles Historical Monument. (March 2015). Almost Home, Claremont City Hall. (March 2015). Pathway Analysis, Claremont City Hall. (October 2014). Home Makers? Underground Tunnel, Los Angeles, CA (July 2014). Hamartia, Claremont City Hall. (April 2014). Barnard has been the recipient of the Armory Center for the Arts Teaching Artist Fellowship, Ahmanson Annual Fellowship, Christopher Street West Art & Culture Grant and the Lincoln Fellowship Award.
 
 

 

Temporary Shelter: Renae Barnard's MFA Exhibition


For Immediate Release: April 8, 2015

Contact: Jennifer Gracia

(909) 621-8071| jennifer.gracia@cgu.edu |  http://cgu.edu/art  | www.renaebarnard.com

 

Exhibition:                  Temporary Shelter: MFA Thesis Exhibition of Artist Renae Barnard            

Dates:                          April 27- May 1, 2015, 10am-5pm

Opening Reception:    Tuesday, April 28, 2015, 6-8pm

Location:                     Claremont Graduate University, East Gallery

251 E. Tenth Street, Claremont, CA 91711

 

  Temporary Shelter: MFA Thesis Exhibition of Artist Renae Barnard

 

Claremont, CA –Claremont Graduate University presents Temporary Shelter: MFA Thesis Exhibition of Artist Renae Barnard, a solo exhibition of sculpture and installation.  Many of Barnard’s sculptures are worked within inches of collapse. The meticulously folded, twisted and sewn objects are both destroyed by and reinforced with the repetitive gestures by which they are made.

 
Renae Barnard is a multidisciplinary artist living and working in Los Angeles. Barnard’s work has been shown at Shoshana Wayne Gallery, Harriet & Charles Luckman Gallery, Annenberg Community Beach House Gallery, Berkeley Art Center, SOMArts Gallery, Pete & Susan Barrett Gallery, Grace Albrecht Gallery, Los Angeles Municipal Gallery, Peggy Phelps Gallery as well as screened at U.S. and international film festivals.

Barnard has been the recipient of many awards including but not limited to Outstanding Experimental Film, Sue Arlen Walker and Harvey M. Parker Memorial Fellowship, Armory Center for the Arts Teaching Artist Fellowship, Ahmanson Annual Fellowship, Christopher Street West Art & Culture Grant, Lincoln Fellowship Award and the Pasadena Arts Council Fiscal Sponsorship.  Barnard has spoken about her work at the Open Engagement Conference at the Queens Museum, NY, The Long Beach LGTBQ Film Festival, Shoshana Wayne Gallery and Los Angeles Municipal Gallery.

 

About Claremont Graduate University
The MFA program at Claremont Graduate University begins with the conviction that art is an enterprise that is intimately linked to the individuals who make it, often in ways that are not yet known to themselves or others. CGU is one of the seven members of the Claremont Consortium, which includes the five Claremont Colleges (Claremont McKenna, Harvey Mudd, Pitzer, Pomona, and Scripps) as well as the Keck Graduate Institute. The faculty, facilities and resources of these world-class institutions are available to MFA students